I’ve been teaching myself how to design textile patterns for 11 months now and have made great progress. I’m really inspired at the moment and have many sketches and shapes waiting to be turned into patterns. This latest triangle design created some problems as I’m trying to stop using white as a background and be more daring with colours. I keep referring to Tamasyn Gambell, Lotta Jansdotter and my print and pattern Pinterest board for ideas but keep coming up with the same palette again and again.
Here are my first little tests with and without a half-drop.
Thankfully I was told about Adobe Kuler, a colour scheme generator that is FREE! It looks pretty horrible with an ugly dark grey background but I tested it out by using the suggested Compound colour selection and as you can see here it worked out ok. It’s really useful as you can scroll around the colour wheel and it instantly gives you the HEX code which can be copied into your editing software.
I prefer my own colour designs for now but will use Adobe Kuler when I’m stuck for ideas.
If you are designing a pattern for textiles, the colours on your screen will look very different to the end result. This is why you should get a custom proof setup so you can see more accurately what your colours will look like when printed. I use the Spoonflower one at the moment which matches well with the company I printed my last design on.
Image with custom proof set up
You can see the difference is huge! The next challenge is to work out how to do a half-drop pattern in Photoshop. I’m currently having to do this manually which is fiddly, any advise would be most welcome.